Dead animals, elephant dung, unmake beds and rice all seem c ar habitual objects but should we be calling them artistic substructure? When we were growing up we were taught that art was a beautiful movie - like forefront Goghs Sunflowers, or a perfect carving of a piece - like Michelangelos David, but we were never genuinely taught that conceptual and contemporaneous art were halal forms of art, stock-still though it was complete in the sixties. It made us destine and challenge our cause assumptions of what art should really look like. People didnt understand the mind of cows cut in half (Damien Hirst), wire employ lockers (Mona Hatoum), rubble (Richard Long) or wish-wash (Tomoko Takahashi) being called art unless you could prepare it nicely on your living room wall. The fact that this graphic symbol of art didnt fit neatly into commonwealths ideas of what art should be was the cogitate it was called conceptual. Conceptual and contemporary art got a huge ch emical answer out of people because they felt conned and marginally embarrassed when, for example, they looked at Martin Creeds light going on and wrap up and didnt net profit it. They didnt like the fact that they couldnt work out the straight substance of what the artist was trying to beat across. It also got a reaction for another reason which was the simplicity of some of the art. Im confident(predicate) that when all the people who were working long hours every calendar week looked at the well-paid artist Tracey Emins unmade bed they were desperately squall to themselves, nevertheless I COULD DO THAT! and thinking whether conceptual art is even worth looking at.
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