Rebellion Against Oppression Essay

How Does Oppression Within standardised pissing for burnt umber and The House of Bernarda Alba Lead To Unnatural Consequences? In both Like Water for coffee and The House of Bernarda Alba insubordination against oppression is a well theme, with both Tita and Adela struggling to break free of their contr turns authoritarianism. However, it is important to hear that with both characters, the authors are using them to symbolise their own journeys. Federico Garcia Lorca uses Adelas strong get outed fight against Bernarda Alba to represent the costs of repressing the freedom of others.Likewise, in Like Water for drinking chocolate, Laura Esquivel uses Titas constant battle against mammy Elena to show how women difference of opinion to be heard and how both men and tradition contribute be strong oppressors. Laura Esquivel employs head game realism through come forward Like Water For Chocolate to show how Titas emotions are transmitted and exaggerated through food. Laura Esqui vel presents the fey as an everyday event, however non all(prenominal) the characters accept it in the same way as reality, for example Mama Elena remains convince that Tita is somehow doctoring the food to her own liking, instead of it being magical weeping.Tita lives in a traditional female role, she enjoys cooking and is a altruistic nurturer but she lives under a matriarchal rule. A muliebrity who has neer needed a hu valet being for whateverthing, which leaves the reader speculative why Tita seems to wait a man in her life sentence in order to alight her matches. Adela, although fighting for her right for freedom again Bernarda Alba, still believes that she must wreak orders from Pepe. The traditional roles the interprets apply created for their daughters continue even in their rebellion.The men in both books are not particularly strong characters. All expiration the women to suffer for the mess they exhaust created themselves. When Libradas daughter fine-tu nes her newborn foul up in order to avoid the shame of having sex with someone out of wedlock, a big crowd gather in order to kill her. It is completely affected that the woman is being prosecuted for being a woman who tramples on decency as opposed to a murderer. This is an humourous recasting of the bloody shame Magdalene narrative, which exposes the hypocrisy of Bernarda Albas society.This shows however, that within both texts, men are removed less restricted than the women. The man is of no fault for having sex out of wedlock, it is her shame. Similarly, in Like Water For Chocolate Mama Elena is far more than than annoyed at the idea of Tita shaming her family than of Pedro cheating on her eldest daughter. Mama Elena is obsessed with tradition and all her actions reflect this. Tita, being the youngest daughter of the family, is pressure to remain at home until the day her drive dies.Mama Elena without delay disregards Titas questioning of the tradition, saying, for gener ations not a single person in my family has questioned this tradition, expressing that Tita should simply accept these traditions as fact and that she does not have the right to question her mothers authority. Rosaura informs Tita that her only daughter impart care for her and never wed, according to family tradition. Rosaura tries to mirror her consanguinity with Esperanza to the relationship her mother and Tita shared.Tita is horrified to discover that Rosaura plans to perpetuate such an inhumane tradition. Rosaura does not seem to have any powerful emotions and persists to carry on the family traditions as a poor imitation of her mother. It is class and not tradition that keeps Bernarda Alba from covert her daughters from the knowledge base of marriage and men within The House of Bernarda Alba. Her mind is cogitate on how the world views her and her family. When Angustias is seen looking at Pepe El Romano, her mother asks is it fit for a woman of your class to go chasing a fter a man?She is instantly noticing that her daughter is stepping outside her class and reining her back in. When Matirio is set to marry Enrique Humanas, Bernarda wont allow it because her blood will never fuse with that of the Humanas family proving that her only real interest is in class rather than the well-being of her daughters. Mama Elena and Bernarda Alba have different reasons for oppressing their daughters but both women are every bit as keen to enforce their rules. It is ironic how un-natural the ends of oppression are shown to be.When Tita is brought into the world prematurely after her fathers sudden death, Mama Elena is the gelid of a nurturer, never forging any bond with Tita. Tita develops a relationship with food that gives her the power to nurture and give outlet to her emotions. Tita rebels against her mothers authority first through her consorting with Pedro. When Tita receives the news that Pedro is to be unite to Rosaura, her life begins to crumble around her and throughout the novel there are legion(predicate) times when they meet without Mama Elenas knowledge.Roberto, Rosaura and Pedros son is a strong, if not surprising influence in Titas actions. Roberto forges the bond with Tita that her and her mother never had and contary to what she had expected she feels an immense tenderness towards the boy. It is when Roberto dies that Titas propensity to please her mother and her own desires clash and she outwardly defies her mother and stairs out of the shadow of oppression for the first time. She tears apart all the sausages symbolizing her finally destroying her mothers rules.When Tita is found in the dovecote, it is ironic that Mama Elena states that theres no place in this rear for maniacs when her oppressive nature is what caused Tita to break bug out. When John arrives and removes her from the oppressive atmosphere her mother has created, and she is offered comfort and love, Titas failing sanity returns leaving the reader ques tioning Mama Elenas own sanity as she confines her daughters to a life of unnatural solitude. Adela is quietly rebelling continuously through the three act play her real emotion doesnt arise until the end.From the first act, after the funeral Adela wears a green dress making her stand out from her more conservative siblings. The colour green symbolises fertility which Bernarda objects to. This immediately separates her from her family. Unlike Tita, Adela never covers up her feelings in front of her mother or siblings, she knows what she wants and her body will be for anyone. Bernardas cane is her symbol of authority, one bang on the floor and all is silenced. In her fury Adela breaks the tyrants rod cell, the ultimate rebellion, breaking Bernardas status symbol.With her object of authority broken, Bernarda can no longer oppress her youngest daughter. Lorca structures the conflict between the characters, short sentences forces the earreach to feel the panic of the women and the str ength of Adela as Bernardas matricachal world crashes down around her. In the last act Adelas repression from being with the man she loves causes her to commit suicide, an ironic tragedy. Lorca makes the audience judge public morality by showing how women are oppressed throughout the scenes and how people react in the most unnatural fashion, women are convicted of adultery before murder.When Adela hangs herself, Bernarda is strong on the knowledge that her daughter died a virgin, she is much more concerned in how the town see her as oppesed to the fact her daughter kill herself due to Bernardas rules. Gertrudis and Paca Le Roseta seem very equal characters they both follow their carnal desire and run away. Paca La Roseta was carried off to the top of the olive grove by the men, when Bernarda finds out she concur to it she is eager to announce her distaste, claiming Roseta is a loose woman and therefore to be shunned.Because she breaks the rules of what is deemed acceptable she is immediately rejected In chapter three, Titas lustful emotions find themselves in the quail in rose petal sauce. When served, the familys orphic lust rise to the surface, all of them experiencing Titas desire. Gertrudis is the conducting body for Titas rebellion giving her the opportunity to enter Pedros hot, voluptuous, totally sensuous body. Esquivel uses magic realism to describe Gertrudis setting aflame and running away with a man. Totally defying the rules of tradition set down by her own mother.Bernardas mother rebels against her daughter constantly and loudly. Constantly shouting that she wants to get married at the edge of the sea. She questions why isnt there any foam here? Nothing but black mourning shawls, she wants to go somewhere bright and full of hope instead of being locked up surrounded by the darkness of oppression. maria Josepha is persistent in nerve-racking to escape her oppressor, trying to be a mother, outstepping her boundaries. She wishes a lamb to be a ch ild as she has a strong maternal brain that represents all the girls wish to be a mother.How they all must have a maternal instinct Bernarda is not allowing them to have. The family is unnatural, a denial of nature. Maria Josepha represents rebelling against oppression much like Gertrudis in Like Water For Chocolate. Throughout both books, the matriarchal oppression forces both women to come to an unnatural end. The strict ideas of tradition, class and how a woman should act condemn everyone to a life of tragedy. Lorca and Esquivel are both fighting for the voices that were not allowed to speak in their own society.