Self-discovery, Destruction, and Preservation in Frankenstein Essay

Self-discovery, Destruction, and Preservation in Frankenstein bloody shame Shelleys Frankenstein explores the tumble of certain human characteristics, set to the backdrop of creation, destruction, and preservation. The subtitle de noned by Shelly herself supports this idea, by relating the fact that the title can be viewed as either Frankenstein or The Modern Prometheus. One scholar, Marilyn Butler, overly maintains this by noting, It can be a late version of the Faust Myth(302). Shelly uses the story of the main character, Victor Frankenstein, to ready the concept of a dooming human characteristic of which Frankenstein states, I have . . . been diabolic in these hopes(Shelley, 152). The reader finds, as a result of his thirst for fellowship and infatuation with science, Victor creates a living being by whom he has suffered great and unparalleled misfortunes(Shelley, 17). Eventually, Victor realizes this self-destructive trait, but he is not able to save himself st ating, I have lost everything, and cannot begin conduct anew(Shelley, 16). Although everything in his life that is dear has been lost, Victor is able to allure one in his same position--Robert Walton--to not lead his crew unwillingly to risk(Shelley, 151). While addressing the concept of characteristic and self-discovery, it is possible to realize that the monster also possesses the characteristics held by both Victor and Walton except in his learning, the monster is control to continue to cause destruction. Most important about the thirst for noesis is that, as a form of human characteristic or downfall, it leads to large, diminutive pieces of self-discovery. In obtaining these critical pieces, Frankenstein finds satisfaction in j... ...s Frankenstein. New Haven Yale University Press, 1998. Butler, Marilyn. Frankenstein and understructure Science. Reprinted in Mary Shelleys Frankenstein. Norton Critical Edition. 1993 New York W. W. Norton, 1996. 302-313. Gilb ert, Sandra M. and Susan Gubar. Mary Shelleys Monstrous Eve. Reprinted in Mary Shelleys Frankenstein. Norton Critical Edition. 1979 New York W. W. Norton, 1996. 225-240. Moers, Ellen. Female Gothic The Monsters Mother. Reprinted in Mary Shelleys Frankenstein. Norton Critical Edition. 1976 New York W. W. Norton, 1996. 214-224. Shelley, Mary. Frankenstein. Norton Critical Edition. 1818 New York W. W. Norton, 1996. Storment, Suzanna. Frankenstein The Man and the Monster. Commentary page. October 2002. cap State University. 8 April 2003. http//www.wsu.edu/delahoyd/frank.comment3.html.